Lines of Connection
Drawing and Printmaking, 1400-1850
By Edina Adam; Jamie Gabbarelli | Publisher: Getty Publications
About the book
The first volume to chart the rich and reciprocal relationship between drawing and printmaking from the fifteenth to nineteenth centuries.
While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended for translation into print, and an even greater number used prints as a training tool, copying from them to hone drawing skills. This reciprocal relationship goes even deeper, however, as innovative artists made fascinating hybrid works that blurred the boundaries between the two media, pushing against modern definitions and hierarchies.
Lines of Connection charts these historical and geographical continuities for the first time by bringing together works on paper of superb quality, foregrounding issues of artistic process and collaboration, technical innovation, and creative ingenuity. Featuring over 170 prints and drawings by such artists as Albrecht Dürer, Parmigianino, Hendrick Goltzius, Maria Sibylla Merian, Rembrandt van Rijn, and William Blake, this catalogue is a rich narrative introduction to the compelling, yet understudied, relationship between drawing and printmaking.
This volume is published to accompany an exhibition on view at The Art Institute of Chicago from March 15 to June 1, 2025 and at the J. Paul Getty Museum at the Getty Center from July 1 to September 14, 2025.
Editions of Lines of Connection
- Paperback
- ISBN 9781606069653
- EBook
- ISBN 9781606069790
- PDF
- ISBN 9781606069660
Read an Excerpt
The first volume to chart the rich and reciprocal relationship between drawing and printmaking from the fifteenth to nineteenth centuries.
While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended for translation into print, and an even greater number used prints as a training tool, copying from them to hone drawing skills. This reciprocal relationship goes even deeper, however, as innovative artists made fascinating hybrid works that blurred the boundaries between the two media, pushing against modern definitions and hierarchies.
Lines of Connection charts these historical and geographical continuities for the first time by bringing together works on paper of superb quality, foregrounding issues of artistic process and collaboration, technical innovation, and creative ingenuity. Featuring over 170 prints and drawings by such artists as Albrecht Dürer, Parmigianino, Hendrick Goltzius, Maria Sibylla Merian, Rembrandt van Rijn, and William Blake, this catalogue is a rich narrative introduction to the compelling, yet understudied, relationship between drawing and printmaking.
This volume is published to accompany an exhibition on view at The Art Institute of Chicago from March 15 to June 1, 2025 and at the J. Paul Getty Museum at the Getty Center from July 1 to September 14, 2025.
Frequently Asked Questions
What is Lines of Connection about?
The first volume to chart the rich and reciprocal relationship between drawing and printmaking from the fifteenth to nineteenth centuries.
While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended for translation into print, and an even greater number used prints as a training tool, copying from them to hone drawing skills. This reciprocal relationship goes even deeper, however, as innovative artists made fascinating hybrid works that blurred the boundaries between the two media, pushing against modern definitions and hierarchies.
Lines of Connection charts these historical and geographical continuities for the first time by bringing together works on paper of superb quality, foregrounding issues of artistic process and collaboration, technical innovation, and creative ingenuity. Featuring over 170 prints and drawings by such artists as Albrecht Dürer, Parmigianino, Hendrick Goltzius, Maria Sibylla Merian, Rembrandt van Rijn, and William Blake, this catalogue is a rich narrative introduction to the compelling, yet understudied, relationship between drawing and printmaking.
This volume is published to accompany an exhibition on view at The Art Institute of Chicago from March 15 to June 1, 2025 and at the J. Paul Getty Museum at the Getty Center from July 1 to September 14, 2025.
What core themes, tropes, or subjects are explored in Lines of Connection?
The Arts > The Arts: art forms > Drawing and drawings
Where can I read a sample of Lines of Connection?
You can read an official preview of the few pages here https://www.book2look.com/book/9781606069653
Who is/are the Author/s of the book Lines of Connection?
Edina Adam; Jamie Gabbarelli
What are the ISBN numbers for the physical and digital editions?
Lines of Connection is available as paperback(ISBN 9781606069653) and ebook(ISBN 9781606069790) and pdf(ISBN 9781606069660)
Where can I buy Lines of Connection online or support local independent bookshops?
You can buy Lines of Connection from below
Where can I buy Lines of Connection?