About the book
The rise of modern science stirred up a mix of unease and exhilaration that profoundly influenced early modern English literature.
During the scientific revolution, the dominant Aristotelian picture of nature, which cohered closely with common sense and ordinary perceptual experience, was completely overthrown. Although we now take for granted the ideas that the earth revolves around the sun and that seemingly solid matter is composed of tiny particles, these concepts seemed equally counterintuitive, anxiety provoking, and at odds with our ancestors’ embodied experience of the world. In Losing Touch with Nature, Mary Thomas Crane examines the complex way that the new science’s threat to intuitive Aristotelian notions of the natural world was treated and reflected in the work of Edmund Spenser, Christopher Marlowe, William Shakespeare, and other early modern writers.
Crane breaks new ground by arguing that sixteenth-century ideas about the universe were actually much more sophisticated, rational, and observation-based than many literary critics have assumed. The earliest stages of the scientific revolution in England were most powerfully experienced as a divergence of intuitive science from official science, causing a schism between embodied human experience of the world and learned explanations of how the world works. This fascinating book traces the growing awareness of that epistemological gap through textbooks and natural philosophy treatises to canonical poetry and plays, presciently registering and exploring the magnitude of the human loss that accompanied the beginnings of modern science.
Editions of Losing Touch with Nature
- Hardcover
- ISBN 9781421415314
- EBook
- ISBN 9781421415321
Read an Excerpt
The rise of modern science stirred up a mix of unease and exhilaration that profoundly influenced early modern English literature.
During the scientific revolution, the dominant Aristotelian picture of nature, which cohered closely with common sense and ordinary perceptual experience, was completely overthrown. Although we now take for granted the ideas that the earth revolves around the sun and that seemingly solid matter is composed of tiny particles, these concepts seemed equally counterintuitive, anxiety provoking, and at odds with our ancestors’ embodied experience of the world. In Losing Touch with Nature, Mary Thomas Crane examines the complex way that the new science’s threat to intuitive Aristotelian notions of the natural world was treated and reflected in the work of Edmund Spenser, Christopher Marlowe, William Shakespeare, and other early modern writers.
Crane breaks new ground by arguing that sixteenth-century ideas about the universe were actually much more sophisticated, rational, and observation-based than many literary critics have assumed. The earliest stages of the scientific revolution in England were most powerfully experienced as a divergence of intuitive science from official science, causing a schism between embodied human experience of the world and learned explanations of how the world works. This fascinating book traces the growing awareness of that epistemological gap through textbooks and natural philosophy treatises to canonical poetry and plays, presciently registering and exploring the magnitude of the human loss that accompanied the beginnings of modern science.
Frequently Asked Questions
What is Losing Touch with Nature about?
The rise of modern science stirred up a mix of unease and exhilaration that profoundly influenced early modern English literature.
During the scientific revolution, the dominant Aristotelian picture of nature, which cohered closely with common sense and ordinary perceptual experience, was completely overthrown. Although we now take for granted the ideas that the earth revolves around the sun and that seemingly solid matter is composed of tiny particles, these concepts seemed equally counterintuitive, anxiety provoking, and at odds with our ancestors’ embodied experience of the world. In Losing Touch with Nature, Mary Thomas Crane examines the complex way that the new science’s threat to intuitive Aristotelian notions of the natural world was treated and reflected in the work of Edmund Spenser, Christopher Marlowe, William Shakespeare, and other early modern writers.
Crane breaks new ground by arguing that sixteenth-century ideas about the universe were actually much more sophisticated, rational, and observation-based than many literary critics have assumed. The earliest stages of the scientific revolution in England were most powerfully experienced as a divergence of intuitive science from official science, causing a schism between embodied human experience of the world and learned explanations of how the world works. This fascinating book traces the growing awareness of that epistemological gap through textbooks and natural philosophy treatises to canonical poetry and plays, presciently registering and exploring the magnitude of the human loss that accompanied the beginnings of modern science.
What core themes, tropes, or subjects are explored in Losing Touch with Nature?
Biography, Literature and Literary studies > Literature: history and criticism > Literary theory
Where can I read a sample of Losing Touch with Nature?
You can read an official preview of the few pages here https://www.book2look.com/book/9781421415314
Who is/are the Author/s of the book Losing Touch with Nature?
Mary Thomas Crane
What are the ISBN numbers for the physical and digital editions?
Losing Touch with Nature is available as hardcover(ISBN 9781421415314) and ebook(ISBN 9781421415321)
Where can I buy Losing Touch with Nature online or support local independent bookshops?
You can buy Losing Touch with Nature from below
Where can I buy Losing Touch with Nature?