Editing and Special/Visual Effects
By Ariel Rogers, Benjamin Wright, Charlie Keil, Dan North, Dana Polan, Deron Overpeck, Julie Turnock, Kristen Whissel, Lisa Purse, Meraj Dhir, Paul Monticone, Scott Higgins, Tanine Allison | Publisher: Rutgers University Press
About the book
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day.
Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster.
In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.
Editions of Editing and Special/Visual Effects
- Paperback
- ISBN 9780813570815
- EBook
- ISBN 9780813573571
- PDF
- ISBN 9780813570839
Read an Excerpt
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day.
Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster.
In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.
Frequently Asked Questions
What is Editing and Special/Visual Effects about?
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day.
Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster.
In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.
What core themes, tropes, or subjects are explored in Editing and Special/Visual Effects?
The Arts > Performing arts > Films, cinema > Filmmaking and production: technical and background skills
Where can I read a sample of Editing and Special/Visual Effects?
You can read an official preview of the few pages here https://www.book2look.com/book/9780813570815
Is Editing and Special/Visual Effects part of a series, and can it be read as a standalone?
Yes it is a part of series Behind the Silver Screen Series
Who is/are the Author/s of the book Editing and Special/Visual Effects?
Ariel Rogers, Benjamin Wright, Charlie Keil, Dan North, Dana Polan, Deron Overpeck, Julie Turnock, Kristen Whissel, Lisa Purse, Meraj Dhir, Paul Monticone, Scott Higgins, Tanine Allison
What are the ISBN numbers for the physical and digital editions?
Editing and Special/Visual Effects is available as paperback(ISBN 9780813570815) and ebook(ISBN 9780813573571) and pdf(ISBN 9780813570839)
Where can I buy Editing and Special/Visual Effects online or support local independent bookshops?
You can buy Editing and Special/Visual Effects from below
Where can I buy Editing and Special/Visual Effects?