About the book
The career of Constance Rourke (1885–1941) is one of the richest examples of the American writer’s search for a “usable past.” In this first full-length study of Rourke, Joan Shelley Rubin establishes the context for Rourke’s defense of American culture — the controversies that engaged her, the books that influenced her thinking, the premises that lay beneath her vocabulary.
With the aid of Rourke’s unpublished papers, the author explores her responses to issues that were compelling for her generation of intellectuals: the critique of America as materialistic and provincial; the demand for native traditions in the arts; the modern understanding of the nature of culture and myth; and the question of a critic’s role in a democracy.
Rourke’s writings demonstrate that America did not suffer, as Van Wyck Brooks and others had maintained, from a damaging split between “high-brow” and “low-brow” but was rather a rich, unified culture in which the arts could thrive. Her classic American Humor (1931) and her biographies of Lotta Crabtree, Davy Crockett, Audubon, and Charles Sheeler celebrate the American as mythmaker. To foster what she called the “possession” of the national heritage, she used an evocative prose style accessible to a wide audience and depicted the frontier in more abstract terms than did other contempoaray scholars. Her commitment to social reform, acquired in her youth and strengthened at Vassar in the Progressive era, informed her sense of the function of criticism and guided her political activites in the 1930s.
Drawing together Rourke’s varied discussions of popular heroes, comic lore, literature, and art, Rubin illuminates the delicate balances and sometimes contradictory arguments underlying Rourke’s description of America’s cultural patterns. She also analyzes the way Rourke’s encounters with the ideas of Van Wyck Brooks, Ruth Benedict, Jane Harrison, Bernard DeVoto, and Lewis Mumford shaped her view of America’s achievements and possibilities.
Rourke emerges not simply as a follower of Brooks or as a colleague of De Voto, nor even as an antiquarian or folklorist. Rather, she assumes her own unique and proper place — as a pioneer who, more than anyone else of her day, boldly and eloquently showed Americans that they had the resources necessary for the future of both art and society. By placing Constance Rourke within the framework of a debate about the nature of American culture, the author makes a notable contribution to American intellectual history.
Originally published in 1980.
A UNC Press Enduring Edition — UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from
Editions of Constance Rourke and American Culture
- Hardcover
- ISBN 9780807814024
- Paperback
- ISBN 9780807857526
- EBook
- ISBN 9781469644172
- PDF
- ISBN 9798890866578
Read an Excerpt
The career of Constance Rourke (1885–1941) is one of the richest examples of the American writer’s search for a “usable past.” In this first full-length study of Rourke, Joan Shelley Rubin establishes the context for Rourke’s defense of American culture — the controversies that engaged her, the books that influenced her thinking, the premises that lay beneath her vocabulary.
With the aid of Rourke’s unpublished papers, the author explores her responses to issues that were compelling for her generation of intellectuals: the critique of America as materialistic and provincial; the demand for native traditions in the arts; the modern understanding of the nature of culture and myth; and the question of a critic’s role in a democracy.
Rourke’s writings demonstrate that America did not suffer, as Van Wyck Brooks and others had maintained, from a damaging split between “high-brow” and “low-brow” but was rather a rich, unified culture in which the arts could thrive. Her classic American Humor (1931) and her biographies of Lotta Crabtree, Davy Crockett, Audubon, and Charles Sheeler celebrate the American as mythmaker. To foster what she called the “possession” of the national heritage, she used an evocative prose style accessible to a wide audience and depicted the frontier in more abstract terms than did other contempoaray scholars. Her commitment to social reform, acquired in her youth and strengthened at Vassar in the Progressive era, informed her sense of the function of criticism and guided her political activites in the 1930s.
Drawing together Rourke’s varied discussions of popular heroes, comic lore, literature, and art, Rubin illuminates the delicate balances and sometimes contradictory arguments underlying Rourke’s description of America’s cultural patterns. She also analyzes the way Rourke’s encounters with the ideas of Van Wyck Brooks, Ruth Benedict, Jane Harrison, Bernard DeVoto, and Lewis Mumford shaped her view of America’s achievements and possibilities.
Rourke emerges not simply as a follower of Brooks or as a colleague of De Voto, nor even as an antiquarian or folklorist. Rather, she assumes her own unique and proper place — as a pioneer who, more than anyone else of her day, boldly and eloquently showed Americans that they had the resources necessary for the future of both art and society. By placing Constance Rourke within the framework of a debate about the nature of American culture, the author makes a notable contribution to American intellectual history.
Originally published in 1980.
A UNC Press Enduring Edition — UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from
Frequently Asked Questions
What is Constance Rourke and American Culture about?
The career of Constance Rourke (1885–1941) is one of the richest examples of the American writer’s search for a “usable past.” In this first full-length study of Rourke, Joan Shelley Rubin establishes the context for Rourke’s defense of American culture — the controversies that engaged her, the books that influenced her thinking, the premises that lay beneath her vocabulary.
With the aid of Rourke’s unpublished papers, the author explores her responses to issues that were compelling for her generation of intellectuals: the critique of America as materialistic and provincial; the demand for native traditions in the arts; the modern understanding of the nature of culture and myth; and the question of a critic’s role in a democracy.
Rourke’s writings demonstrate that America did not suffer, as Van Wyck Brooks and others had maintained, from a damaging split between “high-brow” and “low-brow” but was rather a rich, unified culture in which the arts could thrive. Her classic American Humor (1931) and her biographies of Lotta Crabtree, Davy Crockett, Audubon, and Charles Sheeler celebrate the American as mythmaker. To foster what she called the “possession” of the national heritage, she used an evocative prose style accessible to a wide audience and depicted the frontier in more abstract terms than did other contempoaray scholars. Her commitment to social reform, acquired in her youth and strengthened at Vassar in the Progressive era, informed her sense of the function of criticism and guided her political activites in the 1930s.
Drawing together Rourke’s varied discussions of popular heroes, comic lore, literature, and art, Rubin illuminates the delicate balances and sometimes contradictory arguments underlying Rourke’s description of America’s cultural patterns. She also analyzes the way Rourke’s encounters with the ideas of Van Wyck Brooks, Ruth Benedict, Jane Harrison, Bernard DeVoto, and Lewis Mumford shaped her view of America’s achievements and possibilities.
Rourke emerges not simply as a follower of Brooks or as a colleague of De Voto, nor even as an antiquarian or folklorist. Rather, she assumes her own unique and proper place — as a pioneer who, more than anyone else of her day, boldly and eloquently showed Americans that they had the resources necessary for the future of both art and society. By placing Constance Rourke within the framework of a debate about the nature of American culture, the author makes a notable contribution to American intellectual history.
Originally published in 1980.
A UNC Press Enduring Edition — UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from
What core themes, tropes, or subjects are explored in Constance Rourke and American Culture?
Biography, Literature and Literary studies > Biography and non-fiction prose > Biography: general
Where can I read a sample of Constance Rourke and American Culture?
You can read an official preview of the few pages here https://www.book2look.com/book/9780807814024
How long is Constance Rourke and American Culture and how many pages does it have?
Constance Rourke and American Culture has 259 page(s)
Who is/are the Author/s of the book Constance Rourke and American Culture?
Joan Shelley Rubin
What are the ISBN numbers for the physical and digital editions?
Constance Rourke and American Culture is available as hardcover(ISBN 9780807814024) and paperback(ISBN 9780807857526) and ebook(ISBN 9781469644172) and pdf(ISBN 9798890866578)
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Where can I buy Constance Rourke and American Culture?